All Day

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This film is built around a continuously rotating 360-degree camera inside a car. Although composed of multiple cuts, it is designed to appear as a single seamless shot. The stillness of a seemingly uneventful moment allows the quiet solitude of unrequited love to surface. The direction also explores the contrast between time and emotion. While time moves forward, human feelings tend to return to the past. In the latter half, the rotation of the camera reverses as the man finds himself alone and turns back toward the sea. This shift visualizes the tension between moving on and holding on. In contrast to the carefully constructed camerawork, the performances rely on natural spontaneity. Due to the confined space of the car, much of the acting was left to improvisation. The cast’s unpolished, authentic presence brings a sense of immediacy to the story, grounding its emotional core.