Women in Cinema Project
Drifting Tides
Online

Over a weekend celebrating their mother’s birthday, two sisters reunite while one secretly decides whether to leave Puerto Rico for a life-changing opportunity abroad.
- Director
- Camila Rodríguez López
- Time
- 0:21:01
- Country
- Puerto Rico
- Genre
- Drama
- Year
- 2025
- Cast
- Camelia de los Ángeles Muñiz (plays Maite) , Denise Quiñones (plays Patricia), Gabriela Saker (plays Sofía)
Awards Nominations
National Film Festival for Talented Youth (NFFTY) Screenwriting Competition, 2023.
EMA Green Seal for Sustainable Productions.
NYU Tisch School of the Arts Post Production Award, Russel Hexter Grant, and Lancer Award.
Director

Camila Rodríguez López
Camila S. Rodríguez López is a filmmaker and multimedia artist based in San Juan, Puerto Rico. She graduated with a BFA from NYU Tisch School of the Arts in Film and TV Production and Social and Cultural Analysis in 2024. She is currently the vice president of the Documentary Filmmakers Association of Puerto Rico (AdocPR).
Cast
Camelia de los Ángeles Muñiz (plays Maite) , Denise Quiñones (plays Patricia), Gabriela Saker (plays Sofía)
Screening
Screening Venue
| Venue | Schedule | Ticket Reservation |
|---|---|---|
| MoN Takanawa: The Museum of Narratives | 2026.05.26 [Tue] 14:30-16:10 | |
| MoN Takanawa: The Museum of Narratives | 2026.05.27 [Wed] 17:30-19:20 | |
| LIFORK HARAJUKU | 2026.06.06 [Sat] 12:00-18:30 |
Online Screening
| Online | schedule | Online Screening |
|---|---|---|
| Online Screening | 2026.05.25 [Mon] - 2026.06.10 [Wed] |
Recommended
BOOKTicket Reservation
- Venue
- MoN Takanawa: The Museum of Narratives
- Dates
- 2026.05.26 [Tue] 14:30-16:10
BOOKTicket Reservation
- Venue
- MoN Takanawa: The Museum of Narratives
- Dates
- 2026.05.27 [Wed] 17:30-19:20
BOOKTicket Reservation
- Venue
- LIFORK HARAJUKU
- Dates
- 2026.06.06 [Sat] 12:00-18:30
OnlineScreenings
- Venue
- Online Grand Theater
- Dates
- 2026.05.25 [Mon] - 2026.06.10 [Wed]


























Recommended comments
One of the most distinctive elements of the film is its perspective: it offers an intimate entry into the interior lives of Gen Z women in Puerto Rico—voices that are often observed from the outside, but rarely allowed to speak from within. The film blends fiction with documentary sensibilities, creating a world that feels both constructed and deeply real. Many of the figures that populate the film—vendors, community members, everyday spaces—are not actors but living fragments of Puerto Rican life, preserved as they exist today. This creates a kind of time capsule, where fiction becomes a vessel for collective memory. There is also a quiet reimagining of Puerto Rico itself. Rather than presenting it as spectacle or postcard, the film approaches it as a lived terrain—complex, contradictory, and deeply human.