Very Shorts Program
FUTSUKAYOI
Online

A Japanese office worker wearing a wooden mask finds himself performing his tasks much more easily and quickly than his colleagues, which arouses the curiosity and praise of the latter. Without knowing that this mask is not the cause of his powers, but rather its consequences.
- Director
- Gabriel Kei
- Time
- 0:02:21
- Country
- France
- Genre
- Comedy
- Year
- 2025
- Cast
- Kouhei Murakami, kumisolo (Kumi Okamoto), Gabriel Kei
Awards Nominations
Nikon Film Festival 2025 (France) – Official Selection
Absurd Film Festival 2025 (Italy) – Best WA Film
Big Fridge International Film Festival 2026 (UK) – Finalist
Director

Gabriel Kei
Gabriel Kei is a French actor who began his career with theater plays in Paris which led him to live abroad for almost a decade — three years in the US, five in Japan. It's through his many day-jobs in Tokyo where he was working as a "salaryman" (collar-white) that the inspiration for FUTSUKAYOI emerged.
Cast
Kouhei Murakami, kumisolo (Kumi Okamoto), Gabriel Kei
Screening
Screening Venue
| Venue | Schedule | Ticket Reservation |
|---|---|---|
| MoN Takanawa: The Museum of Narratives | 2026.05.27 [Wed] 14:30-16:10 | |
| MoN Takanawa: The Museum of Narratives | 2026.05.31 [Sun] 14:30-16:10 | |
| LIFORK HARAJUKU | 2026.06.07 [Sun] 12:00-18:30 |
Online Screening
| Online | schedule | Online Screening |
|---|---|---|
| Online Screening | 2026.05.25 [Mon] - 2026.06.10 [Wed] |
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BOOKTicket Reservation
- Venue
- MoN Takanawa: The Museum of Narratives
- Dates
- 2026.05.27 [Wed] 14:30-16:10
BOOKTicket Reservation
- Venue
- MoN Takanawa: The Museum of Narratives
- Dates
- 2026.05.31 [Sun] 14:30-16:10
BOOKTicket Reservation
- Venue
- LIFORK HARAJUKU
- Dates
- 2026.06.07 [Sun] 12:00-18:30
OnlineScreenings
- Venue
- Online Grand Theater
- Dates
- 2026.05.25 [Mon] - 2026.06.10 [Wed]






















Recommended comments
The contrast, definitely. One thing to know is that I am a huge fan of Japanese commercials. Not because I lived in Japan for almost five years, but because the narration of surreal absurdity creates the most delicious entertainment ever made. When applied perfectly, this gives us more than a reason (almost a craving) to watch today's advertisements on Japanese TV. The contrast between this and our reality is what I wanted to recreate in this film. How dissonant both worlds can be even though we are following the same character all along. The first sequence plunges us into a nonsensical extravaganza (loud, colourful, almost aggressively energetic) — as if we were trapped inside a Japanese commercial. Then the second half tears down that cheap shininess to reveal what's really underneath. So yes, the contrast.