The Long Evening Calm
Online

In winter 2025, Aoi returns to her hometown on Shodoshima. Before her closed branch school is demolished, she discovers an old letter and a notebook message from her childhood friend Kaito, and the long-still time within her quietly begins to move again.
- Director
- Keiji Ishikawa
- Time
- 0:05:11
- Country
- Japan
- Genre
- Drama
- Year
- 2025
Awards Nominations
Shodoshima “Twenty-Four Eyes” AI Video Contest, 2026 (Japan) Runner-up Grand Prix
Director
Screening
Screening Venue
| Venue | Schedule | Ticket Reservation |
|---|---|---|
| MoN Takanawa: The Museum of Narratives | 2026.05.27 [Wed] 13:00−14:00 | |
| MoN Takanawa: The Museum of Narratives | 2026.05.29 [Fri] 13:00−14:00 | |
| MoN Takanawa: The Museum of Narratives | 2026.05.31 [Sun] 13:00−14:00 |
Recommended
-

Canon in Blue
PIERRE YOTARO GODA & WATANABE RYOHEI / 0:18:03 / Japan / Drama / 2025
-

Anti-comment return service
Yuki Komori / 0:04:05 / Japan / Horror / 2025
-

ID photo
Yuji Mitsuhashi / 0:06:56 / Japan / Comedy / 2026
-

What an adult
Kenta Kogawa / 0:03:44 / Japan / Drama / 2026
-

Around the parade
Shoichi Morimoto / 0:22:21 / Japan / Drama / 2025
-

A Stranger’s Foot
Tatsuya Ohtsuka / 0:02:04 / Japan / Drama / 2025
Sponsors
Organizer
Patronage(Koen)
Award Project Support
Support
Screening Partner
Translation Support
Program Supporter
AIM UNIVERSE
Festival Friends
Authense Holdings























Recommended comments
A key feature of the film is its camera design. It mainly uses a static camera, with movement introduced only in moments when the protagonist, Aoi, experiences emotional change. By holding back on camera movement, the film builds tension and allows the final scene to deliver a stronger emotional impact. Great attention is also given to realism and detail. The blackboard writing was generated in distinct handwriting styles based on the character profiles of the teacher, Kaito, and Aoi. The height marks on the pillar were carefully placed using research on average heights of children in 2002 and adult women in 2025. Visual techniques such as focus shifts in the ferry arrival scene and Aoi’s walk to the branch school are used to reflect her changing inner perspective. Overall, the film relies on visual storytelling rather than dialogue or text, with small details layered together to naturally convey emotion, time, and relationships.